For evening4

For evening, he designs crystal beaded short dresses matched with oversized and luxurious, colourful chubby fur coats which were a 70s wardrobe staple.
Or, you can opt for sleek sheaths in black that are held up by black patent leather straps, modelled after the highly sought-after narrow Gucci belt latex catsuit.
While everyone is going ga-ga over Gucci clothes, it is known that supermodels who usually get them before they hit the boutiques also set high hopes of representing the brand's image.
Joining the elite Gucci girl group this season, which includes model-of- the-moment Carolyn Murphy, is Malaysian Tang Mang Ling. Tang, a slim beauty, can be seen in the latest fuzzy, film-like Gucci ads in major glossies.
Smooth and slinky silhouettes are the key look at catsuit while tailored lines are offered as well for those who want to look smart rather than sexy.
Since this label is famous for its fur coats, fluffy detailing is seen in abundance on borders, collars and cuffs that match the colours of the fabrics or in exciting different tones.
Shades are soft in nuances of camel, grey, red pvc corsets with a dash of metallic shines including that of burnt barley and brilliant bronze.
But the obvious focus at this Roman fashion house this time around is on its signature pattern - the double F.
Graphic twin F prints from the 70s have made a vengeful return on jersey dresses, knitted twin-sets, nylon jackets and even traditional blue jeans.
The dark-brown catsuit bodysuit geometrical pattern is woven on cut velvet for shirts, dresses, trousers, light and flowing skirts, and matched with georgette and viscose lined with velvet.
So, if you really want to get noticed this season, just think of the five-letter words that begin with either F or G.

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Madonna and Lady Gaga 'Fight' on SNL

    In a stunt that no doubt made your gay BFF jizz his pants with glee, Madonna and Lady Gaga surprised audiences by popping up together in a skit on last night's Saturday Night Live.
    The pair, clad in black leather catsuits, played duelling pop stars alongside Andy Samberg and Kenan Thompson on Deep Dish House.
    "Hey, guess what Madonna? I'm totally hotter than you," quipped Lady Gaga, who was the night's musical guest.
    "What kind of name is Lady Gaga? It's sounds like baby food," responded Madge.
    The skit -- which was kind of lame after the initial "Holy crap, it's Madonna! And she can still rock a latex corsets !" shock wore off -- ended with the foursome making out on the couch, but the show's real guest star surprise came in segment about porcelain fountains, in which Scarlett Johansson made a cameo as a salesperson. The actress appeared to support her hubby, host Ryan Reynolds, despite the genetically blessed couple's long-standing aversion to being seen together in public.  Even with her Real Housewives' getup and his porn 'stache, they were just as hot together as we imagined.
    Watch the clips below and stream the full episode on Globaltv.com.

Anatomy of an Latex Catsuit: 'Skin' Stretches the Limits

It was inevitable that intellectuals would seize on the Age of Botox to stage an art show. Whatever comes afterward, the weird extravaganza that opened Tuesday at the Smithsonian's Cooper-Hewitt National Design Museum will be hard to trump. An hour before the official preview, a scribbled note under an empty glass dome explained the whereabouts of Exhibit A: "Nose in refrigerator." It was alive. 
The exhibition is sedately called "Skin: Surface, Substance and Design." But it's destined to shock: Body parts have become designer objects, and this show exposes them. With or without injections of wrinkle-plumping botulinum toxin, flesh is de-forming and the design world with it. Beauty has become the beast. 
The gilded first-floor galleries of Andrew Carnegie's old mansion at 91st Street and Fifth Avenue are filled with evidence. while the Latex Catsuits edge of growth in the last show. A few pretty things are tucked among the wildly diverse bottles, chairs, sport watches, medical experiments, art photos and high-performance garments. More to the point is a Chanel mannequin whose bare breast has been imprinted with the company's signature quilt motif. First beauty, now brand loyalty can be skin deep.
The show's theoretical denominator is the exoskeleton. The definition is loose. Picture a formless mass with a vaguely pockmarked, possibly soft surface. with silvery PVC Clothing and a long paragraph Slim black suit jacket. You could be looking at  a close-up of the main character from the sci-fi movie "Hollow Man,"  the surface of a molded plastic designer chair,  a video of a breast-enhancement operation or  the architectural facade of an avant-garde glass office building in Los Angeles.
Putting such disparate elements under the same conceptual roof is a stretch, especially for the staid Cooper-Hewitt. The exhibition has legitimate design roots in the tumultuous, fluid, prosperous world of the 1990s. Computers and 3-D software have enabled architects and designers to play with the "skin" of everything in sight. Buildings have developed nontraditional curves and folds. Ladies gold - Card Dai Shan in the entertainment circles from latex dresses time to be petite skinny girls, And new industrial plastics have allowed interiors and furnishings to melt in waves of so-called "organic" style. It would have been easy to assemble exotic samples from leading practitioners to document the movement, as design shows mostly do. But the Cooper-Hewitt's curator of contemporary design, Ellen Lupton, took that approach well beyond the routine, through fashion and art and on to the science lab.
The fine line between natural and manufactured, organic and synthetic, beautiful and bizarre, has been smeared, like eyeliner. But I think even a elegant princess would want to get rid of PVC Clothing Fashionable people have erased the signs of age, peeled tired skin and sculpted body parts with the passion designers reserve for iconic chairs and landmark buildings. Scientists, meanwhile, have brought cloning out of the realm of science fiction and into the mainstream view. 
The Cooper-Hewitt show opens with a gallery devoted to "Beauty, Horror and Biotechnology." The refrigerated nose turned up -- an MIT creation from living bovine cartilage -- next to a sample of artificial skin in a petri dish. Two feet away, a video replays scenes from "Frankenstein," "Hollow Man," "Men in Black," "Aliens," "Videodrome" and "Brazil." Movieland's techno-creatures emerge again and again from gooey skins.  "I wanted to create a sense of how strange the world is," Lupton says. 
And how. In the center of the room, on a clinically white platform, the bottom half of a female torso is wearing Latex Catsuits hot pants. A sign says they are going into production as part of the safe-sex revolution. Conceptually, there's only a mini-leap to Dutch designer Jurgen Bey's Kokon Double Chair. The 1999 design, which was on view during Washington's Dutch design exhibition at Apartment Zero last month, consists of two wooden chairs shrink-wrapped in green plastic. In this context, the back-to-back chairs look as tortured as a bad face-lift. 
Twisted portraits beam from the walls, provoking questions about the nature of beauty. Barbie is the picture of plastic perfection. An arresting photo shows a beautiful woman holding her severed head in her hands. Except for a bloody neck, her skin is perfect. The image has been placed in the garden, blown up large enough to stop traffic on Fifth Avenue. Does Botox beauty survive in death?
Researchers may succeed in mass-producing human tissue, not to mention replicating species, so perhaps there's no need for concern. As Jennifer Tobias writes in the exhibition catalogue, "Imagine the human body of the future, its parts continually repaired and replaced by tissue engineers, its outer surface refinished by dermatologists and aesthetic surgeons."
"Skin" moves dutifully from human flesh to a layered cross-section of a modern sports shoe, which protects feet like an extra skin. Nature remains a role model, and this is fundamentally a design show. An entire gallery is devoted to protective layers of Latex Clothing, for fending off anthrax, sharks, extreme cold or simply runner's sweat. The idea of "smart" skin is accommodated through the layering of microchips in fabric and even plywood.
In architecture, software is allowing layering, too, though the strongest impact is aesthetic. A design for a Los Angeles Latex Clothing store by architect Greg Lynn of Form has a complex interior of folding forms that come together like dermis and epidermis. A wall-size chunk of deformed glass from another Lynn project is mounted at the Cooper-Hewitt. It bears a striking resemblance to the cartilage nose.
The work of industrial designers seems strangely prosaic by comparison. A rubber wash basin for the bath by Dutch designer Hella Jongerius has the requisite soft, touchable quality. A porcelain "egg" vase by Marcel Wanders began with a Latex Catsuits condom. A hollow plastic chair by Ross Lovegrove serves as an example of skin as skeleton. More interesting are designs that display body-responsiveness. A tabletop by New York designer Karim Rashid changes color from the heat of a human hand. Benches of foam used in the health care and aerospace industries remember your imprint.
There is also a horrifying collection of handbags and shoes made of something the artist hopes resembles a woman's flesh. A photo shows a sewing machine with a woman's body under the needle, instead of a length of fabric. An artist's video filmed in the operating room replays the reality of plastic surgery, stitch by stitch, while classical music plays a soothing tune.
The body is under renovation. In the hands of the plastic surgeon, it becomes one more designer object, a "blob" circa 2002. Despite the powerful images, Lupton seems loath to declare her view, beyond writing in the catalogue that "Like skin, design performs at the intersection of life and death, body and product." On a final walk-through before the doors opened, the curator considered what she had wrought.  "All my little alien children hatching," she said.

Kinkiest city in latex clothing, edinburgh's sex secret

RED-HOT lovers in Edinburgh are the kinkiest in Britain The city's sex-hungry residents buy twice as many fetish and bondage products as Londoners, according to a new survey.
Internet gift shop bluesnake delivers more sexy Latex Clothing, gadgets, books and movies to Edinburgh than any other town or city in the country. The capital's orders account for 38 per cent of the firm's sales over the last six months of 2000.
And it's not only the size of the orders that matter - they're also buying kinkier products.The most popular item with adventurous Edinburgh lovers is a pounds 25 Basic Bondage Kit, with leather blindfold, handcuffs and a twelve-inch whip. Next on the lusty list is black bondage tape, followed by Latex Catsuits-tipped nipple clamps. Blindfolds and handcuffs complete the top five.
A spokeswoman for the firm said Edinburgh folk are most likely to experiment with sex.She added: "They are leading the way when it comes to throwing away their inhibitions."
Newcastle was the second-kinkiest city, with 25 per cent of deliveries, but the products ordered tended to be more tame. In third place was London with 15 per cent of orders. The least adventurous customers live in the South West of England, where the top purchase is a six-inch teddy bear dressed in bondage gear.Philip Treacy, the 27-year-old British milliner whose hats Putting the high-end Latex Stockings on to home is attractive, are in demand at the world's most prestigious fashion houses, presented his London Fashion Week catwalk show last night and proved that he is a conjurer working magic with feathers.
The front row line-up included ex-Duran Duran partners Nick Rhodes and Simon Le Bon . Boy George, Brian Ferry, Rifat Ozbek, Jasper Conran, Alexander McQueen and Anthony Price also attended.Treacy's show was the highlight of the London shows. Indeed, it is doubtful whether such artistry and enjoyment will be matched by the forthcoming collections in the other fashion capitals of the world.
Another young pioneer, Hussein Chalayan, showed earlier in the evening with a fine collection of futuristic tailoring, second-skin latex dresses dresses, and collectable art deco print evening dresses. It is shows like these - perfectly executed and outstandingly creative - that keep London on the map.
Over at Hussein Chalayan, all seemed well, too - well enough for the designer to take the radical step of appearing on his own stage, alongside the dancer Michael Clark and various other esteemed artists, in a live rock band. Chalayan said that the collection was his anti-war protest - the invitation Vwas a picture of a grinning, blindfolded child pointing a gun. "Children see war as a game," the designer said. as women's supplement Rubber Clothing  "I don't want this generation to grow up thinking like that." A continuing preoccupation with anatomy was more evident where the clothes themselves were concerned. Jersey dresses in bright fondant hues were dissected to reveal various body parts, and, later, entrails spilled from their edges. "I wanted to question people's preconceptions. Some people find these things disgusting. I find them beautiful." They were, indeed, just that, and for his bravery in refusing to compromise a cerebral stance, Chalayan must be applauded.

An Latex Catsuits Adventure in Detail and Perspective

Next year the Calvin Klein company expects to generate $6 billion in retail sales, a small fraction of which -- about $40 million -- will come from sales of the runway collections designed by its star Francisco Costa. A money-loser, the collections' real value lie in marketing and the skillful use of advertising and celebrities like the hot-bodied Eva Mendes, who was at Mr. Costa's show on Thursday, and thus its prestige is wildly inflated.
More and more, expensive ready-to-wear functions like haute couture, as the bait that hooks consumers. Fashion houses get news media exposure for their shows -- that's one purpose of Fashion Week -- while the bulk of their Latex Clothing sales comes from preseason collections, which reflect the designer's aesthetic as well as enjoy a longer selling time in stores because they are delivered before runway pieces. Besides, runway looks are typically ordered in such small qualities that relatively few people will ever see or touch the actual garments, much less own them.The gap, then, is widening between what you see on the runway Zentai Suits and what, in effect, you get, although how much this bothers editors is hard to say. They have their own reasons for attending shows.But one dress from the fall 2008 collections -- Balenciaga's look No. 2, a sculptural black sheath -- illustrates the point. Editors raved about the dress's modern cut. It appeared in major fashion magazines, and stores like Barneys featured it in their ads.
Yet, according to Balenciaga's chief executive, Isabelle Guichot, just over 100 dresses were sold worldwide. The dress was pricey , and Balenciaga has an interest in limiting distribution, but the small number puts into perspective the reach of influential labels. High quality and favorable price pumps,  boots  and many different kind of high heel shoes, we specially set up retail Latex Catsuits store website That perspective helps to explain Mr. Costa's strange and exuberant collection. Many designers have attempted to imagine fashion as geometry or modernist architecture -- Issey Miyake and Yohji Yamamoto are just two who come to mind. In his most recent couture collection for Chanel, Karl Lagerfeld created gowns with shoulders that looked as if they had been clapped  with seat cushions.
But the admirable thing about the collection was the level of research into the materials -- including Latex Catsuits, wire mesh and new technical silks -- and the quality of Mr. Costa's presentation. Some of the silvery white shifts and sleek pants outfits are stunning. Zentai Suits But for the work to have real meaning beyond a runway experience, Mr. Costa has to develop some of these shapes and fabrics further and return to them. It's worth noting that some of the jersey dresses in the collection, also with cube effects, recalled designs he did two or three years ago. So perhaps this show was really part of a longer process.
By Thursday evening, Zac Posen had turned everything on its teased head. The show was trashy and fun, the models made up into unrecognizable imitations of Britney. Or something along those trashy violet-lip lines. Many of the itty-bitty silk dresses were adorable, as were filmy leopard-print chiffon dresses and cheeky hot pants worn with a matching soda-pink jacket. for people all Zentai Suits over the world seeking But it was it mainly light entertainment.Ralph Lauren's show on Friday was terrifically adventurous -- Indiana Jones in gold sequins. If Mr. Lauren didn't send out the best harem pants of Fashion Week, it's hard to think who did. His were done in burnished gold beads. More practical versions came in khaki linen.
There were some great safari pants and shirts, as well as a trim pantsuit in gold-glazed linen. Dresses were skimmy and sexy, most notably a halter style in bronze-beaded tulle. The model wore a turban and crystal teardrop earrings.After L'Wren Scott's show on Friday at the Gagosian Gallery, her friends Sarah Jessica Parker and Ellen Barkin compared notes on favorite looks. Both women agreed that a slithery black wool dress, its scoop neckline outlined in ivory silk and its wand sleeves cuffed in ivory, Zentai Suits was tops.''And then ...'' Ms. Parker ticked off another dress.''And then ...'' Ms. Barkin said, mentioning a frilly striped sleeveless blouse. This was Ms. Scott's strongest collection since she began her label. She offered a great sense of her familiar drama, with an all-over white feather cape lined in lace, but the striking thing about her dresses was the intimacy and the refinement of the details.
Every detail, from the quality of the ivory French linen for a sheath dress to the lingerie bodice of a white slip dress, seemed considered. If there was one misstep, it was a figure-hugging black dress with a hem of flapping streamers. Ms. Scott said the collection was inspired by wind. It seemed light in spirit as well as in the hand. That's a measure of her progress.

British demonstrate protective gear for latex clothing warfare use

British makers of protective gear for nuclear, chemical and biological warfare have mounted an effort to sell their latest Latex Clothing for aircrews and ground personnel to the U.S. Defense Dept. and outlet licenses for the Latex Clothing to U.S. industry.
"We think the U.K. has in service equipment better than that of the U.S.," Brian M. Webster, British Embassy defense sales counselor for the British Ministry of Defense, said.  The U.S. is improving its chemical warfare defense, but officials said much remains to be done before U.S. Air Forces in Europe can match Warsaw Pact capability .The British Embassy sponsored an exhibit of the equipment recently to boost the sales campaign.
Remploy, Ltd., of London, manufactures a perspiration-permeable coverall with hood and socks it said is cool enough for sustained vigorous activity when worn under a Nomex flight suit and standard helmet.Gen. John W. Pauly, USAFE commander, said the U.S. carbon-foam suit causes a loss of groundcrew capability by restricting movement and generating heat .  USAF flightcrews use the British coveralls.
The British coverall's material, produced by Bondina, Ltd., of Halifax, is a Latex Catsuits-bonded nylon sprayed with an inner layer of activated charcoal.  The nylon is treated with liquid fluorocarbon to repel toxic agents such as hydrogen cyanide, nerve gas, anthrax bacteria and mustard gas.  The charcoal absorbs any poison that penetrates the treated fabric and has a shelf life of five years.
An official of the Chemical Defense Laboratory of the British Ministry of Defense said the material is effective for 24 hr. in a dense toxic environment.  The Royal Air Force issues six sets of the disposable Latex Clothing to flight crewmembers, and the British army uses the Bondina fabric weighing 200 grams/meter<2> for its M.3 chemical-warfare uniform.  The laboratory official said the flame-retardant fabric also provides protection against nuclear fallout and some of the heat from a nuclear explosion.
The Royal Air Force is equipping aircrews with the AR 5 respirator produced by BOC Aviation of Harlow.  The Neoprene assembly of hood, goggles and respirator requires positive ventilation and to prevent myosis provides a ventilation line and chamber for the eyes separate from that for breathing.  The assembly is tested for reliability under acceleration of 5.5g and has low-pressure fittings for primary and emergency oxygen suitable for operation below 43,000 ft. Richmond Electronics, Ltd., of Hertfordshire and ML Aviation Co., Ltd., of Maidenhead manufacture positive ventilation systems for the respirator using charcoal and particulate filters.Industry and Defense Dept. representatives viewed exhibits of protective gear by 20 companies, including:
Airscrew Howden, Ltd., of Surrey -- Fans for combat environmental control systems.Bonaventure International of London -- Disposable Latex Clothing for chemical and nuclear decontamination operations.Civil Defense Supply of Lincoln -- Oversuit, undersuit, respirator, gloves and boots for civilian protection.J. Compton Sons & Webb, ltd., of Newport -- Protective Latex Clothing that combines the Bondina fabric with an outer fabric of acrylic, modified for fire retardance and durability.  Even though the outer fabric has a light silicone treatment to repel liquids and vapors, the fibers can spread toxic agents to avoid overloading absorption properties of the charcoal inner layer.Fisher Controls, Ltd., of London -- Portable monitor for gamma and neutron battlefield radiation from 20 to 1,000 rads.Heywood Williams, Ltd., of Brighouse -- Flexible-walled field shelters.
Leyland & Birmingham Rubber Co., Ltd., of Preston -- S-6 respirator molded of natural rubber.Microflow Pathfinder, Ltd. -- Air filtration and contamination control systems.Portals Water Treatment, Ltd., of Middlesex -- Transportable and trailer-mounted water purification systems.Siebe Gorman & Co., Ltd., of Gwent -- Respirators for industrial and military applications.Temperature, Ltd., of London -- Vehicle sealing and environmental control systems.Thorn Automation Ltd., of Nottingham -- Using a sample of nerve enzyme, cholinesterase, a portable unit detects nerve gas or biological agents in the battlefield environment. 

LIFE ETC: S&M - THE IOS SEX COLUMN, WITH SUZI AND MEL

 "Prevention is better than cure" - though as HIV doesn't appear to have a cure, perhaps it should be re-worded: "Prevention is better". But there is a device that prevents sexually transmitted infections (STIs), HIV and pregnancy.
 That ingenious device is tiny, inexpensive, widely available and often given away free in nightclubs and doctors' surgeries. Designed several hundred years ago, it has become increasingly sophisticated. The Chinese made a version from oiled silk paper, the Egyptians used papyrus soaked in water, and the fragrant Europeans used fish bladders. Though we baby boomers know them as "rubbers", it wasn't until 1843 that the latex condom was born. And condoms, archaic and embarrassing as they may be, are still what the doctor orders for safer sex.
 The majority of modern condoms are now made from latex (rubber) though polyurethane (plastic) versions are increasingly popular - though they are quite noisy. Because penis size varies, so do condoms and choosing the right size can increase sensitivity. Choosing "extra large" may boost the ego but a snug fit provides better protection because it prevents slippage.
 Condoms are pre- lubricated but they can be used with additional water- based lubrication. Most people are shy about buying proper lubricant so they tend to use bathroom products instead. The problem is that most of those products are oil-based and as oil erodes latex they are an unsafe substitute. Tentative lubricant shoppers may not be aware that water- based lubricants (like condoms) can be picked up in the toiletries section of the supermarket. If you must use household lubricants, go for polyurethane condoms, which are okay with oil.
 So what's our excuse for the dramatic increases in STIs, HIV and pregnancy? It's easy to blame teenagers. Statistically we can see that they are starting to have sex earlier, and nearly 50 per cent of sexually active teenagers admit that they did not use contraception the first time. We have the highest teenage pregnancy rate in Europe. More than 90,000 teenagers get pregnant every year and 7,700 of those are under 16.
 We know that teenagers are lousy about protection. Lots of them get pregnant, and they show the highest rates of STIs and HIV too. Yet as girls get older, pregnancy rates go down but STI and HIV rates stay high. Many teenagers are more scared of pregnancy than STIs and once they have dealt with contraception, which is often the Pill, they feel they are safe. The trouble is, guys too are only worried about pregnancy. They don't take STIs seriously either, and if a girl is on the Pill they are unlikely to pull out a condom and insist on safe sex.
 Basically, none of us seems to understand the fact that sexually transmitted infections can happen to anyone. Just one act of unprotected sex with a chlamydia carrier gives you a 50 per cent chance of catching it. That carrier probably doesn't know they have it and probably doesn't have any symptoms. HIV can be in someone's system for years before any symptoms show. You will be even more concerned about pregnancy when you find that the lovely guy you've been having casual sex with for 12 months has left you infertile - one of the possible consequences of contracting chlamydia.
 Teenagers can at least plead ignorance, but what about the rest of us? The Family Planning Association is concerned about the fact that STIs are on the increase in people aged 35-45+. The increase in separation and divorce has meant that many people find themselves single after long-term monogamous relationships, and they just aren't aware of the risks of STIs and HIV.
 So how can we make using condoms as integral to having sex as tampons are to periods? Putting them under the "health and safety" umbrella doesn't seem to work because people seldom take any notice. That said, some genius will now probably spend millions enlisting the help of fashion designers and soap stars to make us appreciate the little rubber life-saver.

Tyrone designer's avant garde style starts off week

 The autumn/winter 2004 collections, which opened in Paris yesterday, started a week that will see more than 80 catwalk presentations, associated exhibitions and events taking place in the French capital.
One of the first to show yesterday was the Northern Irish designer, Sharon Wauchob, a former Louis Vuitton consultant, who has been based in Paris for nearly 10 years and who launched her first collection here in the winter of 1998.
From Newtownstewart in Co Tyrone, Wauchob's reputation has been growing steadily internationally ever since, and last year she was elected to the Chambre Syndicale du Pret a Porter, the first independent Irish designer to be admitted to the organisation that controls the catwalk schedules.
Her show took place in an art gallery in the Marais near where her studio is based and reflected her highly technical approach to design and individual style which could be described as avant garde luxury. Skintight trousers were cut in panels of dark colour, and overstitched, intricate jackets with decorative double lapels fell open prettily over bare breasts. Cardigans had curved buttoning and fine pink jersey tops draped over bare backs and stretch mini-skirts. There was a particular emphasis on the shoulder, with black feather shrugs or delicate puff sleeves in sheer black chiffon.
Wauchob has an ability to mix elements of sportswear and lingerie together, to incorporate elements of accessories such as zips, buckles and belts into garments in a way that is imaginative, detailed, at times very graceful and sexy, but always controlled. "My clothes are part accessory, part apparel," says the designer who insists on very exacting standards of manufacturing. Her style is not one easily copied.
Haider Ackermann is an up-and-coming Colombian-born, French designer trained in Belgium, a country steadily getting recognition for its significant fashion talent and with a considerable presence at Paris fashion week. This was a very different and original vision of femininity and from the moment the first model appeared in a grey suit striped with silver, flat lace-up shoes and spray-grey chignons, it was clear that this was more like a menswear collection for women.
There were dramatically different varieties of the trouser suit from a red satin number with rapier tight trousers to one in khaki wool with turned-up collar and divided skirt. An almost military severity governed the cut of some of the clothes, but it worked. Less tailored items included an oversize red knit worn with grey leggings and a most dramatic long black latex and net coat that looked like lace.
Drapery came into play with soft evening wear dresses that fell like togas but were finished with polo necks. No bare flesh here; these are bold clothes for strong, assertive women and there were cheers of approval at the end.

Be bold, sexy, irresistible in red

Whether you'll be rocking the red dress or setting hearts aflutter at home, make every moment count this Valentine's Day.
If you have planned an evening in or a night out, as a couple or with friends, show a little love in your attire.
Go red if you enjoy being the centre of attention and want to knock the socks off your partner. Forget the Little Black Dress, the Little Red Dress guarantees that all eyes will be on you for the entire night. The red dress is a refreshing, romantic alternative to winter layers.
``Red is flirtatious, sexy and special. It's all about how women feel and embrace the colour while wearing it,'' says Ottawa-based boutique owner Earlene Hobin. ``Red is the leading trend on the runways this season,'' Hobin says.
If red is not your colour, tiny hearts, playful polka dots and white are fashionable alternatives.
Montelle Intimates' spring line of Catsuits Lingerie is almost too pretty to cover up. Sweet and sexy, the Polka Dots Forever collection in grape juice print offers a splash of colour and promises fun.
The motto of this line is dare to be different - so ladies it's time to flaunt what you have. This sexy collection features six feminine styles, such as a flattering boy-leg brief, $30, thong, $22, pushup bra, $48, and sassy chemise in microfibre with scalloped lace, $54.
If red is not your colour, tiny hearts, playful polka dots and white are fashionable alternatives.
The Montreal company's Oh So Sensual collection is just that. Empowering and elegant, the Catsuits Lingerie pieces are available in ``moonstruck,'' with touches of lilac, rose and silver undertones. Satin, lace and embroidered embellishments add a seductive touch. The underwire bra, $52, thong, $30, and garter belt, $30.
Montelle Intimates is currently available in Catsuits Lingerie boutiques and select retailers across Canada (montelle.ca)
``Catsuits Lingerie is the perfect Valentine's Day gift the two of you will enjoy unwrapping,'' says Joelle Eugenie, fashion director and head designer at Montelle Intimates.
``Catsuits Lingerie makes women feel sexy, giving her the added confidence to seduce her sweetheart knowing that she looks irresistible. It's the tried-and-true Valentine's Day gift that is sure to add a little passion to the night.''
Here are a few things to consider when wearing red:
Try a variety of reds against your skin tone to see what suits you best. Some reds have blue or orange undertones that could compete with certain colourings.
Wear nude hosiery and underwear (or skip the undies altogether) to avoid panty lines.
Find a lipstick shade that complements your dress colour. Makeup should be applied in an understated manner.
You don't want your accessories to clash with red so opt for silver or gold finishes on jewelry, handbag and shoes.

IS THIS REALLY THE RIGHT DIRECTION FOR MARKS & SPENCER?

IMAGINE the shock of waking up one morning to discover that Carol Vorderman was chucking it all in to become a leather-clad dominatrix with a house full of sex slaves.
It's not too dissimilar to how I feel upon reading that Marks & Spencer is dispensing with its cosy, comfortable image and starting to sell sexy knickers. 
And we're talking seriously sexy. Think strawberry pink and violet thongs, see-through mesh peignoirs, negligees and basques, replete with suspenders and lavished with leavers lace.
The new range is designed by Agent Provocateur, the racy Catsuits Lingerie company headed by Joe Corre, the son of Vivienne Westwood and Malcolm McLaren. Ladettes Denise Van Outen and Zoe Ball are among its customers.
'This is the latest example of Marks & Spencer using new, creative designers,' says the Mail's fashion expert Lucie Dodds.
'For the past few seasons, they've been selling designs by Betty Jackson and Tanya Sarne to introduce some more fashionable collections.'
Kim Bates, senior selector for Catsuits Lingerie at M&S, agrees. 'This is a new dimension for us,' she insists. 'It is sexy, glamorous and instantly recognisable as something new and different.'
And there's the rub. For surely, as we aficionados will testify, the reason we love M&S is precisely because we know exactly what we're getting. For solid, dependable, Monday-morning-I'm-not-feeling-at-all-sexy briefs, M&S is the old friend on any woman's shopping list.
My drawers - sorry - are full of them. Chaste white cotton, black'n'practical, slightly greying baggy belly huggers - in short, comfort knickers. And 40 per cent of Britain's knicker-buying public agree with me.
There are few things more soothing than rattling through the Catsuits Lingerie department of M&S and picking up the practical old three-pack of black cotton mini briefs, the design of which has remained unchanged since the day you bought your first pair.
The thought of chancing upon a rack of deep raspberry see-through thongs on a journey through the white tangas is deeply alarming.
'New and different' is how M&S choose to describe it. 'Smacking of desperation' is how some may interpret it. For we all know how M&S has hit upon hard times.
On Friday it was forced to fire two more executive directors and a second profits warning was issued only last week.
And we all know that sex sells - men's magazines, ice cream, cars and even beer.
That's all very well, Mr Marketing Man. But M&S knickers are about more than marketing, they're a way of life.
So just keep your hands off them.

EAST NEWS ABOUT THE FETISH PORN

Children held responsible for exploding toys Two children, aged 11 and 8 respectively, were ordered by a Shanghai court to pay 18,570 yuan (US $ 2,240) for the medical expenses of a 3-year-old girl who was wounded while playing with fireworks, reports Xinmin Evening News. 
The three children are all from migrant worker families and live in the same building in Pudong. On February 4, 2003, the girl was given a bag of 200 fireworks to play with by her mother. But the two boys ignited the toys with lighters, causing the fireworks to explode in the girl's face. The court ruled that while the girl's parents failed to supervise their daughter, the boys should take responsibility for the accident. In my opinion, I think you will get successful if you dress in the latex corsets, really!
Poisonous snakes find home at zoo Nearly 30 poisonous snakes confiscated from a street seller in Shanghai have finally settled at the local zoo, reports Shanghai Evening Post.
Police found a vendor was selling vipers that, as he claimed, were all captured in the local suburbs, and confiscated all of them.
The police then began to worry where to find a proper location for those snakes and finally contacted the Shanghai Zoo, which decided to accept them.
Fearful youngster jumps into river A 10-year-old migrant child who was spreading illegal advertisement fliers near the Bund area in downtown Shanghai jumped into the Huangpu River last Thursday for fear of being hunted down by the police, reports Xinmin Evening News.
While distributing the fliers, the boy saw officers approaching him. Scared of being caught and fined, the boy suddenly leapt into the river, according to witnesses.
The boy was quickly rescued by local marine police and was unharmed. Officials said distributing fliers in downtown streets can attract a fine of up to 50 yuan (US $ 6).
Bone test reveals suspect's real age A man in Shanghai claimed to be aged under 18 when a judge was just about to announce his sentence. But the court recently discovered his true age through a bone aging test, reports Shanghai Morning Post.
Deng Quan was accused of twice sneaking into a local factory and stealing goods and money worth about 15,220 yuan (US $ 1,840).
Just before the announcement of the court verdict, Deng attempted to avoid severe punishment by claiming that he was under 18. The result of the bone test, however, shows Deng is between 20 and 25. He was finally sentenced to 21 months in prison and a fine of 28,000 yuan (US $ 3,380).
Blue VCD fetish leads to blues A young man in Jinan of Shandong Province broke into a flat to watch porn VCDs, but was found by the owner, reports Life Daily.
Shen bought several porn VCDs that evening and was eager to watch them immediately. He broke into a flat he had previously rented with a key he had kept hidden.
Shen was so absorbed in the VCDs he forgot the time and was found by Wang, the new tenant who returned home.
Neighbours heard the noise after the two began to fight, and sent in the police.

Diary of a diet lifestyle She's got great style

I'D LIKE to have some of what she's having," I said to my boyfriend the other day as I was, yet again, bemoaning my lack of personal funkiness when it comes to dressing.
I spied with my little eye some pictures of Beth Ditto, you see. I lovingly admired her chutzpah, faced as I was with a picture of her with flaming red pixie hair and a black and white dress which looked liked it had come from Mary Poppins' dressing-up box.
Once upon a stone or seven, I used to have a semblance of what is commonly referred to as "having it going on". 
This meant, in everyday parlance, that I wasn't afraid of wearing scarves in my hair, polka dotted pom-pom dresses and big wedge, peep-toe shoes.
And before anyone starts to imagine a fat Minnie Mouse but with bigger ears, let me just tell you I sometimes turned heads.
No jokes or sniggering from the back please - nobody ever asked me directions to the fun house, so I assumed I was doing something right.
These days, my fashion sense tends to lack a lack of common sense if you know what I mean.
In my mind I'm still funky, still looking for things to wear which will make me look interesting as opposed to dull in wide legged trousers and black tunics.
But in reality, I fear I've really become rather dull.
I know I should think less and do more, I should accessorise myself stupid and accentuate the positive in bolder ways.
I should, perhaps, dare to bare more, wear skirts, put on a bra that's two sizes too small and bring new life into the spaniel's ears that are now my boobs.
But... but, well, without a stylist, more money, lots of time and ability to use a sewing kit, I fear I may be stuck in this rut.
Beth Ditto, however, wants to change me - and you, if you shop in Evans that is.
My-thigh-sized Kate Moss may have the title as the most successful high street celebrity designer, but Gossip singer Beth could well rival the supermodel and eat her collection for breakfast, dinner and tea.
Rumours have circulated since last year that she was in talks with Evans to create a special line for them. And now it's been confirmed that the collaboration is set to happen.
Sources tell me Beth has been working with Evans' head designer Lisa Marie Peacock to create a collection that should hit the shops in June.
And if Beth's own wardrobe is anything to go by, then this collaboration is sure to be show-stopping, and not for the faint-hearted. It may well turn those fabled heads again, but not for the right reasons.
Beth is famed for her eccentric style, including those figure hugging spangly catsuits that even Kate Moss wouldn't dare to wear, and an array of bold sequin-encrusted dresses.
Word from the Evans camp suggests she's given her style a high-street-friendly make-over, with the collection reportedly including oversized tees and knits, graphic dresses and studded handbags.
But will she help me get my funk back? I'm frankly split on the news.
On the one hand I think it's amazing that big girls are able to dress any way they want.
Conversely, if you're fat and even if you're happy with it, latex corsets and '80s tees with drop waists and crazy patterns aren't exactly extraneous flesh friendly.
There's a lot to be said for being big and being proud of it, and having an inimitable, often outlandish aesthetic as a result.
But for us mere mortals who want to be more than they are but who would need to be knocked over the head with a cricket bat and concussed to think catsuits look great if you're over a size 18, it may be a step too far.
Seeing is believing though - and as ever, I'm opened minded (as well as open mouthed).

Maria Grachvogel Fashion designer latex clothes

My favourite outfit is a catsuit from when I was 18. It's strappy and fitted at the top with wide legs and a cutout waist that creates an hourglass shape. I made it so I could dance all night long, as you do at 18. It's like a dress, although the trousers element gives it an edge. A close second is a dress that I've nicknamed my bubble-snog. It has long sleeves and is cut in circles which are draped. It swishes around and makes you feel very glamorous, yet I wore it until I was six months pregnant.
I was 8 when I told my mother that I was going to become a fashion designer. I was inspired by her sister, who was so glamorous - she was always immaculately polished and groomed and wore gorgeous trouser suits and beautiful dresses. She was a tailor and her skill and craftsmanship fascinated me.
If you dress according to your mood, your latex catsuit look effortless. If I'm feeling quiet and cosy I wear shapes that are comforting and cocooning, and choose fabrics such as cashmere. Another time I'll wear something more dynamic with a fitted waist; I wear high-waisted trousers a lot. As for shoes, comfort is key - don't think that high necessarily means uncomfortable.
The thing I dislike most about fashion is its throwaway nature. It also annoys me how clothes are described as being "on trend" or "not on trend". In any other creative industry, design is approached in a much more considered way. If something incorporates great design, it should last a lifetime.
If I could steal anyone's wardrobe it would have to be Katharine Hepburn's. She was a strong but feminine woman and I identify with her as a character. I love those wide-leg trousers she used to wear and the way she exuded so much elegance.
Most people underestimate how important the cut of clothes is. How something is cut can work with your body shape. Get it right and you can go down a dress size.
I think it's odd that most people wear trousers that are made according to a standard-size "fit" model when a size 10 woman could be tall, petite or have a really pert bottom. My trousers fit on lots of different body shapes; I've really invested in the cut so they fit everyone really well. I also take away the seams so that the fabric lies flat. Our high-waisters don't have side seams and because of the way they are fitted, they allow enough room for hips and sit beautifully on the waist so your hips actually look smaller.

CATSUIT BRUNETTE, FETISH PARTY

A GROPING mum tried to seduce a boy of 15 after taking him to a bondage and whip party in a Gothic dungeon, a court heard yesterday.
Brunette Sarah Newell, 27, peeled off her PVC catsuit in front of the youngster and forced him to touch her breasts as other guests watched at the kinky, members-only bash.
And later, when the boy refused her request for sex, she allegedly told him: "You've never had a real woman until you've had me." It is claimed that the lad was indecently assaulted by Newell . . . once when he tried an electric shock machine designed to send out "erotic" body-pulses.
The young actor - who was once an extra in a movie starring Robert Carlyle - latex catsuits was "very scared" during the theme night at a fetish club where equipment included a rack, suspension frame, cross, whips and a horse.
Guests wearing dog collars at Manchester's Lash Club were pulled around on leads by their partners.
A woman lay entangled in a giant spiders' web while people whipped and bit her - and a man had his bare backside flayed.
Police arrested mother-of-one Newell after photos of her in her blue catsuit with the boy outside a nearby Marks and Spencer were found by his mum.
Prosecutor Rebecca Lloyd Smith told Man-chester's Minshull Street Crown Court the boy met Newell at Christmas 1999.
Now 16, he said: "I would go round there two, three, four times a week just chatting. Then after New Year's Eve she said a friend who was going to a party with her had cried off and she asked if I wanted to go.
"I refused because I didn't really know her and was a bit young. Later there was another party and I agreed to go."
He added: "There were people on leads with one being on all fours and the other being the master. Others were whipped."
He claimed Newell started to take off her suit and put his hands on her boobs.
He said: "I don't like it." But when they went back to Newell's Urmston home, she pushed him on her bed saying: "You've never had sex with a real woman until you've had me." He said she also put her hands in his boxer shorts but he pushed her away.
He confessed to his mother after he allegedly got phone calls warning that he'd be "beaten up and murdered" if he spoke about what he'd seen.
Newell denies three indecent assaults.

Animal trackers from the catsuits latex

     Leopard and other animal prints are the growling glories of the fall-winter fashion season. Spotted, tiger- and zebra-stripe and other wild prints can be found on everything from skirts and outerwear to catsuits and jackets, on the collar, hem and cuffs.
    The best aspect of the trend? It's a look that can be worn any time and anywhere, says Montreal-based womens' wear manufacturer Joseph Ribkoff International. While animal prints have been in and out of style for decades, they've become more "civilized," says Quebec-based Influence magazine. In these politically correct times, they're found as much on faux (fake) furs as they are on real ones.
    Popular sellers include a latex catsuit with leopard fun-fur trim around the collar and cuffs, an ottoman suit with doubled-breasted belted jacket trimmed with leopard fun fur, a dress with zebra-print collar, sleeves and pocket openings, and a Lycra-knit dress with cheetah-flocked print bodice and sleeves.
    Zebra and tiger stripes, prowl collars and cuffs bring a touch of the exotic to an already sophisticted look.
    Release from the manufacturer says.
    Jackqueline Hope of Toronto's Big, latex catsuit and Beautiful store sells a number of animal-print outfits at her boutique, which also runs a mail-order catalogue.
    Hope says the look is just as suitable for the large woman - wearing Size 14 and above - as it is for regular and petites wearers. It's all in the pattern and styling of the garment. For instance, some larger women may look trimmer in an outfit with smaller spots, or stripes running more vertically than horizontally.
    Hope's garments - some manufactured for the boutique's own label, others purchased from fashion centres like New York City - are also particularly designed to fit the unique proportions of her clients.

Police fear latex catsuit rapist has returned to prey on elderly

     A MAN dressed in a catsuit and mask who attacks, rapes or steals from elderly women has struck again after an absence of more than four months, police said yesterday.
     Detectives suspect that the man has struck up to 80 times across South London in the past 15 years, attacking women, some of them in their 90s.
     The assaults stopped last autumn before resuming last week with two attacks in Catford and Dulwich in southeast London. Neither victim was sexually assaulted.
     Last Thursday the man broke into the home of an 82-year-old woman in Catford and stole Pounds 300. He got in by removing an entire window pane on the ground floor of the house without raising an alarm.
     Early on Saturday he struck again, breaking into the home of a 78-year-old woman on the Kingswood estate in Dulwich. The woman fought him off but he stole cash and jewellery, including a diamond engagement ring and two gold bracelets.
     A Scotland Yard investigation code-named Operation Minstead has linked the sex attacker to 25 incidents since October 1992.
     Police believe the man could also have carried out another 50 attacks dating back to the 1980s in London and the Home Counties.
     Three of his victims were raped and another 23 were sexually assaulted. The oldest victim was 92 and the youngest was 68.
     The attacker is thought to be an athletic,latex corsets,  light-skinned black man aged between 25 and 45 who may live in or close to the Shirley area of Croydon, where many of the attacks have taken place.
     Detective Chief Inspector Simon Morgan said crime profilers had advised them that the man could go for long periods without activity. There have been other times when he has not been active.
     It is possible that he has been in prison or an institution and may have been dealt with by police for other crimes.
     Two years ago police carried out a DNA screen on 200 burglary suspects, without success.
     The man always strikes between midnight and 4am and police believe that he watches potential victims to make sure they are alone.
     He usually uses a tool from a nearby shed to break in through a rear window. He then cuts telephone lines, turns off electricity or removes light bulbs.
     A number of the victims have been woken up by the intruder appearing in their bedrooms and shining a torch at them.
     Some have saved themselves by talking to the attacker about his mother.

Cool for Cats suits

    WHEN is a latex catsuit not a catsuit? When it's a pair of leggings, a top, or the foundation of a party outfit. This versatile garment can be a linchpin of the modern wardrobe. And on the international designer catwalks the slinky one-piece was a crucial element of this year's autumnwinter look.
    Karl Lagerfeld dressed all his models in long-sleeved, high-necked second skins in shimmering silver or bronze as the base for day and evening wear. Rifat Ozbek printed his catsuits with African tribal motifs and used them to add drama to plain jackets and simple overdresses. Calvin Klein's came in soft, neutral coloured cashmere. Donna Karan used stretch metallic and pale matt jerseys under soft sarongs, tunics, cape coats and wraps.
    For many the latex catsuit is a terrifying prospect. They blanch at the thought of the revealing head-to-toe cling, the merciless exposure of every dimple. Yet leggings and bodies which together amount to a two-piece catsuit are increasingly popular. So why have two pieces when one will do?
    Most women wish to simplify their wardrobes, latex corsets and to own things that are easy to care for. This is where the latex catsuit beats any other single item hands down. As it is usually made from a mixture of cotton and Lycra, it is well-priced and machine-washable, as well as adaptable.
    Use it as a basic layer and select the rest of your outfit according to how much you want to reveal. A long-line tailored jacket over the top will look no different from a coat dress over a smooth T-shirt and leggings, and with no bulky layers.
    Choose the length of your jacket to match your courage. The hip-skimming principal boy look is strictly for the young and trim. Others feel more comfortable with a mid-thigh length jacket, such as the Mansfield one photographed here. This combination needs only the plainest of shoes and minimal accessories to finish it off.
    Dress up for the evening by adding a flirty little skirt such as Ben De Lisi's spangled chiffon ballerina skirt. The fullness of the skirt will balance the slimness of the body line. Then add some large pieces of costume jewellery for stunning effect.
    Throw a big jumper, such as Joseph's ample rib knits, on top for a casual outfit that can be worn when out and about, as well as at home. Each look is achieved with just the catsuit, one extra piece of clothing, shoes and simple accessories.
    There are a couple of cardinal rules to stick to. Make sure you buy a sleek fit rumpled ankles and baggy knees only ever worked for Max Wall. And be certain to choose a good opaque don't scrimp on cost if it means your suit looks patchy and transparent. Jigsaw and Marks & Spencer stock some good ones, while the de-luxe designer model comes from Liza Bruce.
    Bear these points in mind and you will find that for comfort the latex catsuit is second to none. Devotees swear it can change your life.

fetish Latex Clothing: BALLYKISSANGEL TO MADAM WHIPLASH

IRISH beauty Victoria Smurfit has been squeezing into kinky bondage gear for a steamy new screen role.And it was tougher work than you might expect. Not least because she was three months pregnant at the time.
Victoria gets to crack the whip while wearing a Latex catsuit and towering platform heels in Blue Eiderdown. For the Lynda La Plante thriller she has to play a professional dominatrix at a sadomasochism club.
It's a far cry from the gentle Ballykissangel, which helped make the 31year-old a household name. 'It's very strange and very funny being strapped into those corsets,' Victoria reveals to Kiss & Tell. 'The suit I wear is made up of latex leggings, a corset and collar. 'Latex clothing is one of these materials that's freezing when it's cold and very hot and sweaty when it's hot. But the incredible thing is that the costume makes you feel sexy latex catsuits and powerful . 'This sort of gear is designed to give you power over any man who comes into your realm. It was very exciting!'
Victoria says she wasn't at all embarrassed by her indoctrination as a modern-day Madam Whiplash. 'What we discovered doing our research is that S&M clubs aren't about sex itself,' she reveals.
'They're all about the mind and about control or power. One of the girls I talked to was a professional dominatrix, who says she sees herself as a therapist. I can see her point.'
Word has it that Vicroria's husband Doug Baxter has found her kinky scenes hard to watch - but with the baby due soon the couple may not have time to worry about what's on telly.Blue Eiderdown, part of the Trial and Retribution series, is screened by ITV1 on October 11 and 12.
G2: lost in showbiz: gillian cracks the whip for closerDoes anyone know if Max Mosley likes mung beans? I only ask as Gillian McKeith has posed up for a bloodcurdling photo in Closer magazine, in which she appears in a Latex catsuit, stiletto heels, and cracking a big black bullwhip.I know: they'll never take her seriously at the Royal College of Physicians now. Oh . . . I see.
Either way, it's your basic meth-assisted mountebankfantasy, though the image on the right is, alas, only a mock-up.Gillian declined to allow Lost in Showbiz to reproduce theoriginal, presumably because she's cross about the Guardian's suggestion that her "living food powder" may contain snake oil.
I paraphrase, but only in a manner that flatters our comely faux-sician beyond belief. Still, the real picture is genuinely more horrifying, and if Closer wants to court a bunch of "emotional trauma" lawsuits, then that is a matter for them. In fact, you may be wondering why on earth they put readers through this stuff, but in actual fact the catsuit was probably just an unhappy accident. Students of the magazine will know it only has four costumes, into which lady celebrities are shoehorned in strict rotation. There's the Audrey Hepburn costume, which got used up on Coleen the other week. There's the dominatrix outfit. There's a 1950s housewife with a feather duster - never understood that one - and there's the older woman, basque-and-fishnets look that is mandatorily accompanied by the headline "I'm feeling sexier than EVER after my divorce!"
In short, any celebrities approached to appear in the
edition four weeks on from this one should be mindful into whose Rubber clothing exoskeleton they will be stepping. You are entirely within your rights to request a specialist dry cleaner's receipt before you do so.

Lady GaGa's whacky dress draws attention again

    London, May. 5 -- Infamous for her dressing sense, British singer Lady GaGa shocked people recently when she made a public appearance in a transparent latex catsuit.
    Lady GaGa, who was partying with designer Ritchie Rich, opted to leave her bra behind when she stepped out in a low-cut maroon catsuit with two strategically placed stickers to cover her modesty, reported thesun.co.uk.
    She had earlier made news by performing on stage wearing latex tops, just a collection of transparent balls. Published by HT Syndication with permission from Indo-Asian News Service.

Fashion story is about something

   MILAN - Gianni Versace, king of rock 'n' romance on the runway, is drained. Yet after three sleepless nights and the day of his spring/summer '92 presentation, he somehow finds the energy to explain his approach to fashion design.
    "Many people are afraid of fashion," Versace sighs. "Afraid to expose themselves. But they dream of dressing like Cher. I am sure of it."
    And so he stretches beyond the bright, shapely suits and wildly printed blouses and scarves that have become Versace classics, to bejeweled bras and crystal-encrusted bustiers
    He creates clothes for the who's who of Hollywood and the pop music world: Madonna, Sophia Loren, Barbra Streisand, Candice Bergen, Jane Fonda, Cher, Rod Stewart, Tina Turner, Bruce Springsteen, Melanie Griffith.
    "They are my friends - Elton John, David Bowie, Eric Clapton, latex catsuits, Michael Jackson," says the 45-year-old designer, leaning on an Art Deco dining table in his 15th century palazzo.
    "But that's just one side of my fashion. I like to dress intellectuals, everyone - from the chic to the shock."
    And they were there at his spring show. Eric Clapton tapped his foot to the rock 'n' roll beat, while socialite Ivana Trump sat demurely in the front row, clad in a snugly belted yellow and black Versace dress.
    They watched while the world's most beautiful models came down the runway in souped-up denims and classics-gone-crazy, all inspired by the "beautiful, magical women" Versace saw in the local bordello when he was a boy in Calabria.
    Naomi Campbell, Linda Evangelista, Cindy Crawford and Yasmeen Chauri stormed down the catwalk in open denim blouses and silk tutus, and an endless parade of jean jackets. They came in pink, mint, baby blue, patterned with starfish and seashells, embellished with brocade, mixed with white jeans, black jeans, pastel jeans, slung with gold hip belts, worn with red leather bras studded with gold nail heads or covered in glitter.
    Lengths of silk bearing romantic images from Fragonard paintings were wrapped around their breasts or sewn up into blouses and jackets. They slithered along in reptile print catsuits, and leopard spotted blazers and tiger print vests, worn with a "queen-of-the-jungle" attitude.
    The show was a hit. Small wonder, then, that business is booming.
    "In America we doubled our business last year," says Versace, dressed in a dark suit and baby blue turtleneck.
    Worldwide sales are well over $700 million, 12 per cent up over last year. He has 120 boutiques around the world, including a women's wear shop in Hazelton Lanes run by Catherine and Stephanie Hill of Chez Catherine, and a men's store on Hazelton Ave.
    Those who can't afford the signature collection can get the same mood in less expensive fabrics by shopping Versace Versus, a secondary collection available at Giorgio Femme on Bloor St. W. There's also the Instante collection, priced between the ready-to-wear and Versus lines. It's sold at Donna Elena Boutique on Cumberland Ave.
    Versace's connections to Hollywood have no doubt helped his success. Prince, Sting, Don Johnson, Phil Collins and Elizabeth Taylor have all been guests at his lush Lake Como villa.
    After Madonna talked Michael Jackson into revamping his image, he approached Versace for a new look. The designer sketched up some colorful leggings printed with the pop star's face, and the new Jackson will be unveiled during the release of his upcoming video and album.
    Versace is also making a jacket for Taylor bearing images of her in different film roles. This is after tailoring the wedding tuxedo for her new husband Larry Fortensky.
    "He wore the white tuxedo. I sent the white and the gray which was more chic. But what are you going to do? These people are so capricious and they put on what they want. But he is a nice man."
    Despite his rock 'n' roll connections and rumors to the contrary, Versace claims that his private life is tranquil. He celebrated his most recent show by going home alone and curling up with a book.
    His palazzo, a stone's throw from the famous La Scala Opera house in the heart of the chic Montenapoleone shopping triangle, is where Versace lives, works, eats and sleeps fashion.
    "My life is very quiet. I swim, I escape to the country. The moment I finish a show I want to leave and close the gate in Como and be with my flowers and my dog. I have such a beautiful villa where I really feel happy. When I look at the water on the lake, I am happy. I don't need a lot."
    But he hardly lives a Spartan life. The palazzo, ironically a former convent, has more rooms than his assistants can count. He lives in a main floor apartment looking out on to pink geraniums and a forest of green beyond.
    He is up at 7:30 every morning, rising out of a 14th century bed which once belonged to the Medicis. He works out in a first floor gym, and is through three newspapers by the time he finishes breakfast.
    He works very closely with his sister Donatella, who consults on the collection, does all the accessories, and follows the licences. Donatella's husband Paul Beck is chief assistant for menswear. Brother Santo is chairman and managing director.
    Together, they have come up with the idea of a new Signature line. Following the example of Hermes and Chanel, they will make available a perpetual collection of Versace classics.
    "Customers were coming in search of the mask-printed shirt from two years ago, requesting the studded bags or neo-Baroque print scarf - all elements of my collections which have become status symbols and above all, classic examples of my style . . . It's a kind of best sellers catalogue, which will always be at the customer's disposal."
    Versace has also recently become the target of copyists, but he doesn't seem to mind. "I like to be followed. It means your fashion is good. Sometimes I get mad and say, 'Why did they copy so fast?' But who cares? At least they copy you. I'm more sad when they don't copy me. It means I'm no good."

boy know new catsuitslatex

Band takes a Step in the right direction They say that you can't make a silk purse out of a sow's ear but I'm afraid you can. Every time I have my picture taken, from above and blasted by light, I contradict that theory. The camera tells hideous lies - and why not? Those Hollywood starlets in bygone days had the right idea. A photograph, unlike a blemish or excess weight, lasts for ever and imperfections needn't be immortalised.
The squeaky clean (well, ex-squeaky clean) pop group Steps have finally cottoned on to my way of thinking. Their latest video is a glistening stiletto step in the right direction. Created by the genius duo New Renaissance, who made those exotic Powergen adverts you see after the news, it has transformed Steps from dull to dangerous - latex tops with a massive dose of excess glamour, trailer loads of maquillage and the kind of lighting that I live for.
Lee, who sings and prances with the group, is revealed to be something of a stud. I am shocked to discover that he has been hiding such a strapping physique. New Renaissance have defrocked him and have him writhing inside a huge metal dome, while the girls are dressed in the style of R&B queen Missy Elliot - in latex catsuits and brandishing whips. Quite what their nubile audience will think of the transformation remains to be seen but, in my opinion, it will do them the world of good.
Missy's all Hyped-up Talking of genius, I hear that American video director Hype Williams has been drafted in as art director for fashion designer Julian MacDonald's next show. Quite how Julian has managed this I don't know, because Culture Club wanted Hype to direct a video and the starting price was GBP 2million. For those who don't know, Hype is the man responsible for the videos featuring the aforementioned Missy Elliot and TLC.
I also hear that Missy will be modelling in the show and I'm gutted because I have to fly off to Asia for a tour before the big day. Believe it or not, Missy was told by record company bods that she was too large to be a pop star - they were wrong as she now outsells Julio Iglesias.
In a recent interview, she quipped: "I could have gone to the gym but I love cup cakes." She is a girl after my own jam tart. Anyway, I'll have to make do with the video of the show but if it's anything like last year's, it will be very exciting.
Believe the Hype.
Mix and match fashion My involvement with Fashion Week, aside from being the antithesis of it, is preparing the music for the Evisu show. Evisu makes those jeans that look as if they sport the McDonald's logo. Models for the show include Goldie, Tamara Beckwith and rock singer Amanda Ghost, who will be catwalking to a jungle version of Karma Chameleon. Only joking!
The music can only be described as barking - a punk version of our national anthem was specially shipped over from Japan to be thrown into the mix. The Japanese could never be described as emotionally expressive but they like their fashion and music well quirky. Suits me fine because I am just a geisha girl trapped in a sumo's body.
Must go, I'm off to promote homosexuality!

Luda plays host at Mansion's Halloween party

Ludacristook his responsibility as host of Mansion's Red Light District Halloween party seriously, emceeing the entire evening while sitting on a speaker, microphone in hand, calling out to the packed audience about his favorite outfits, singing over his songs Moneymakerand Runaway Love.Also on hand was Playmate Laura Croft,who danced on the elaborate stage set up with red lights, peep show windows and a floor-to-ceiling Amsterdam-style building fac¸ade.
Over at Set'sLatex and Leather Halloween, pop sensation Lady Gagatook to the bar to perform her single Just Dance.No costume was necessary -- she was wearing her standard latex catsuits as she bumped and grinded among South Beach's jetset crowd.
Even in a depressed economy, people have to eat. When tix for the South Beach Wine & Food Festivalwent on sale last week, they hit the million-dollar mark within the first 24 hours. Some events even sold out. Maybe the stock market could take a few lessons here?
Swedish Calvin Klein underwear model and soccer player Freddie Ljungbergwas spotted Sunday night at Delano's Rose Bar.Ljungberg, who played for Arsenal in England, has crossed the pond and will now be playing for the new Major League Soccer team in Seattle.
Spotted walking on Lincoln Road Sunday night: Brooke Hoganwith some friends. Our spy overheard one of the friends telling a teenage passerby who asked for Hogan's John Hancock, ''Sorry, but Brooke doesn't do autographs.'' Er, would someone tell us, exactly what she doesdo? Please.
The Forge'sSoul Kitchen Sunday party got on the election bandwagon with a Just Vote rally hosted by U.S. Rep. Kendrick Meekand Jesse Jackson Jr.Also there, actor Jeffrey Wright.
Miami Heat DJ Iriehas teamed up with Creative Recreation on an exclusive version of a sneaker whose proceeds will be donated to Big Brothers Big Sisters. The Irie Milano Hi is a limited edition sneak -- only 200 pairs -- that retails for $185 and will be available at Atrium, Lulu's and Shoe Gallery on Dec. 12. On Dec. 11, Irie and Creative Recreation will present BBBS with a check for $10,000.
We hear that R&B star Usher,who is the headliner at the much-anticipated Victoria's Secret
fashion show at the Fontainebleauon Nov. 15, tried unsuccessfully to get into Miami doctor Lenny Hochstein's
Sunset Island Halloween
party Friday night because it was so packed. Spy also tells us that if Hochstein knew Usher was there, of course they would have let him in. Perhaps it was just someone
in a really convincing costume?

STYLE: HAUTE AND GLORY

Would The New Boys Live Up To The Hype? Would The Old Hands Come Up Trumps? Susannah Frankel Reports From The Paris Couture Collections. Right, Nicola Moulton, Winner Of The Jackie Moore Award For Fashion Journalism, Pays A First Visit Tothe Shows
IF, FOR FASHION editors, the haute couture collections, which take place each January and July, used to be a case of sitting back and watching beautiful, impossibly expensive clothes in which no one, apart from the insider, was even remotely interested, this season it's been quite a different story. Press attendance figures are higher than ever and the excitement surrounding the appointments of John Galliano to Christian Dior and Alexander McQueen to Givenchy have meant frocks making the front pages of the broadsheets perhaps for the first time in fashion history.
The question then must be: could Galliano and McQueen live up to the hype?  Certainly, in Galliano's case, the answer is a resounding yes. The supremely talented 37-year-old, who struggled for over a decade even to stay in business, has, it seems, found his spiritual home. In the opulent salons of the Grand Hotel - all glittering chandeliers, gilt-edged, overstuffed upholstery and elaborate stucco ceilings - models stalked, sashayed and twirled only inches away from spell-bound spectators.
As well as the breathtakingly beautiful bias-cut slip dresses for which Galliano is famous - for his Dior couture collection, he indulged himself in the luxury of gathering shoulders and waistlines into clusters of delicate chiffon roses - there were overblown, fondant-coloured ballgowns, a direct reference to the late and great Dior himself.
As if revelling in the sheer beauty of the precious materials on which he is now able to lay his hands, Galliano gathered inspiration everywhere from the Orient (silk, fringed shawls in chartreuse and deep red, knotted and embroidered with Chinese flowers) to Africa (corsets constructed out of rainbow-coloured beads, elaborate breastplates and arms full of ethnic bracelets). For daywear, Dior's signature houndstooth check graced the most modern, softly tailored skirt suits and androgynous trouser suits, the latter complete with fringing - a Galliano flourish if ever there was one.
Alexander McQueen's show for Givenchy went for inspiration to the classically inspired white and gold Givenchy logo. Almost the entire collection was made up in these colours, from signature, strictly tailored high-collared jackets and feathered corsets to impeccably cut double-breasted trouser suits which looked classic from the front but revealed the loveliest cut-out panels of gold lace or flesh tulle from behind. Also exquisite were silver and gold nymph dresses knotted around the body and trailing prettily behind, with their own tiny, perfectly formed wings. The craftsmanship in all-in-one feathered catsuits and strapless dresses was second to none, and fitted dresses in bright white damask boasted brilliant McQueenisms, including exaggerated full sleeves and oversized cuffs. For evening, gold strands of ivy spiralled prettily around softly structured white dresses. As if to hammer the classical message home, the styling of the show was, equally, pure ancient Greece and, in the end, something of a distraction from the often discreet luxury of the clothes.
Alexander McQueen is a far less experienced designer than John Galliano and, in this case in particular, it would have been almost impossible to live up to that which was expected of him. The show was, nonetheless, highly accomplished and the designer will doubtless continue to go from strength to strength.
Jean Paul Gaultier, invited on to the couture schedule for the first time this season, demonstrated the most modern of sensibilities, showing not only haute couture for women, but also for men.  Gaultier has always been famous for playing with gender. To this end, the women came out in supremely desirable navy tuxedos, while the men sported jewel-encrusted jeans and lace all-in-ones (one model even had lace tattoos stuck to his fashionably shaved head). Also a show-stopper were black crepe catsuits for women with draped backs, plunging necklines and, in one particularly spectacular instance, rainbow-coloured feathers.
The only criticism levelled at this very chic show was that it was so pared down in places, it hardly figured as haute couture. Gaultier's office confirmed that the collection would indeed come in slightly cheaper than customary couture prices.
Gianni Versace's couture show, meanwhile, had a lightness of touch not normally associated with the glitterati's favourite designer. From the opening sequence of narrow navy tailoring to the traditional wedding dress finale - here in the form of the tightest, white, high-waisted skirt that fell to just below the knee and was paired up with a white masculine shirt in a filmy, feminine fabric - the show was surprisingly restrained and looked highly contemporary for it. Carmen Miranda dresses in scarlet lace were wonderfully glamorous and pretty antique-style, short -sleeved cardigans in pastel colours, decorated with rhinestones and worn over layered, floral-print chiffon dresses, made for one of the prettiest looks of the season. All very London girl too. This was Portobello Road at its most madly expensive.
The show's only weak point came in the form of evening dresses in metallic organza. A surprisingly ungainly fabric for an experienced couturier to choose - it crinkled not entirely gracefully to the floor.
And finally to the House of Chanel, presided over, of course, by the mighty Karl Lagerfeld who last month brought into the fold Amanda Harlech, Galliano's creative right-hand woman and muse for over 10 years. After the week's hitherto spectacular showings, more traditional onlookers were relieved to see couture restored to its intimate and exclusive heritage. As always, Lagerfeld's immaculate black, navy or houndstooth jackets, teamed up with narrow skirts or wide-legged pants, went down a storm. Chalk tweed jackets trimmed with navy, red and white braid will also no doubt sell like hot cakes.
More show-stopping, but less successful for it, were sheer tweed trouser suits trimmed with vulture feathers, if you please, or the same suit in pink marabou. For evening, there were exquisitely worked silver and gold beaded creations and pastel chiffon dresses made of far too many intricately woven panels to count.
In the end, the show was at its best when it was at its most understated.  Skinny, black skirt suits fastened at the waist with a single diamond camellia were sheer perfection. 'They're real diamonds, latex jeans, you know,' whispered an excitable, Chanel-clad grande dame in auspicious attendance. Mais bien sur! This is haute couture, after all. Who on earth would expect anything less?

Think Round. (Think Fat!) Down Is In Again

CLOTHING suitable for the Himalayas has become stylish streetwear in New York. Sta-Puff Marshmallow men and women now float down the avenues and bump about in buses and subway cars.
Fur is out. Goose is in.
The bane of coat-check people everywhere, down-filled coats, which seemed to come and go in the 1970's and 80's, are in again. The look for winter is fat, as in Triple Fat Goose down. Lots of "loft," or puffiness, is considered cool. The operative word is big.
 "They all want the Michelin look now," said Michael Slepian, the owner of Down Generation, on Columbus Avenue between 95th and 96th Streets.
The racks at Down Generation are so crammed with coats you have to dig in with both arms to pull a fat one out. Mr. Slepian holds up some particularly fat specimens: the Dahlagari by North Face, named for the Himalayan mountain, with two and a half pounds of down and Gore-Tex waterproof fabric; or the Brooks Range, quilted in black with North Face in bold white letters, temperature rated to minus-38 degrees.
Down Generation also sells a good selection of Triple Fat Goose brand down-and-feather coats, well priced at about $125, including National Football League stadium coats.
For downtown down, there is Paragon Sporting Goods, at Broadway and 17th Street, one of those quintessential New York stores, owned by the Blank family since 1908. The hot jacket here is the Marmot (don't pronounce the French way, MAR-moh; it's named for the rodent). The Marmot Mammoth, at $419, latex catsuits, has a Gore-Tex shell and a lot of loft.
Paragon also has a good selection of coats by North Face, Woolrich and Barrier, a down-filled parka with a shearling collar. The store also sells Lectra-Mits, fleece-lined gloves with a battery-operated heating unit.
Eddie Bauer, the Chicago-based retail and catalogue company, made its name outfitting American troops for cold climates during World War II. Its new Manhattan store, on Madison Avenue at 59th Street, is a paradise for seekers of burly, cozy things, including Harris Tweed driving hats, with Thinsulate lining and flaps, for $30; fringed blanket skirts, $90; stone-washed corduroys, $34.99. And the warmest coat at Eddie Bauer is the Superior Polar Parka, which comes in tall sizes and is temperature-rated to minus-70 degrees.
Designers are also getting into the puffed-up look. Ralph Lauren based his fall collection on elegant ski wear. Even Jean-Paul Gaultier, the adventurous French designer, has his version, a taffeta bomber jacket, for expeditions downtown.

latex catsuits in Halloween party

Ludacristook his responsibility as host of Mansion's Red Light District Halloween party seriously, emceeing the entire evening while sitting on a speaker, microphone in hand, calling out to the packed audience about his favorite outfits, singing over his songs Moneymakerand Runaway Love.Also on hand was Playmate Laura Croft,who danced on the elaborate stage set up with red lights, peep show windows and a floor-to-ceiling Amsterdam-style building fac¸ade. 
Over at Set'sLatex and Leather Halloween, pop sensation Lady Gagatook to the bar to perform her single Just Dance.No costume was necessary -- she was wearing her standard latex catsuit as she bumped and grinded among South Beach's jetset crowd.
Even in a depressed economy, people have to eat. When tix for the South Beach Wine & Food Festivalwent on sale last week, they hit the million-dollar mark within the first 24 hours. Some events even sold out. Maybe the stock market could take a few lessons here?
Swedish Calvin Klein underwear model and soccer player Freddie Ljungbergwas spotted Sunday night at Delano's Rose Bar.Ljungberg, who played for Arsenal in England, has crossed the pond and will now be playing for the new Major League Soccer team in Seattle.
Spotted walking on Lincoln Road Sunday night: Brooke Hoganwith some friends. Our spy overheard one of the friends telling a teenage passerby who asked for Hogan's John Hancock, ''Sorry, but Brooke doesn't do autographs.'' Er, would someone tell us, exactly what she doesdo? Please.
The Forge'sSoul Kitchen Sunday party got on the election bandwagon with a Just Vote rally hosted by U.S. Rep. Kendrick Meekand Jesse Jackson Jr.Also there, actor Jeffrey Wright.
Miami Heat DJ Iriehas teamed up with Creative Recreation on an exclusive version of a sneaker whose proceeds will be donated to Big Brothers Big Sisters. The Irie Milano Hi is a limited edition sneak -- only 200 pairs -- that retails for $185 and will be available at Atrium, Lulu's and Shoe Gallery on Dec. 12. On Dec. 11, Irie and Creative Recreation will present BBBS with a check for $10,000.
We hear that R&B star Usher,who is the headliner at the much-anticipated Victoria's Secret
fashion show at the Fontainebleauon Nov. 15, tried unsuccessfully to get into Miami doctor Lenny Hochstein's
Sunset Island Halloween
party Friday night because it was so packed. Spy also tells us that if Hochstein knew Usher was there, of course they would have let him in. Perhaps it was just someone
in a really convincing costume?

Knickers in a knot as judge makes sexy call

NEW YORK: Not just anybody can call themselves a ''sexy little thing,'' a Manhattan court had ruled. 
Sports Illustrated swimsuit model Audrey Quock was blocked from launching her own line of panties emblazoned as ''sexy little things'' when US District Judge Harold Baer ruled yesterday that Victoria's Secret could sue her for trademark infringement.
Judge Baer said Victoria's Secret appeared to acquire priority in the trademark use of ''Sexy Little Things'' because it had used the label on Catsuits Lingerie since July 28, 2004.
The judge refused a request by Quock to declare that Victoria's Secret had no right to stop her from launching a line of women's pvc catsuit called ''Sexy Little Things''.
Quock and publicist Ronit Menashe said in the lawsuit they came up with the term ''Sexy Little Things, Sexy Little Things'' in July or August 2004.
After sending a manufacturer diagrams for the production of ''Sexy Little Things'' labels and preparing publicity, the pair received a threatening letter from Victoria's Secret.
The women then stopped development of the clothing line and sought relief in court.
''While the term describes the erotically-stimulating quality of the trademarked Catsuits Lingerie, it also calls to mind the phrase 'sexy little thing,' popularly used to refer to attractive, lithe young women,'' the judge ruled.

Women Say Giving Catsuits Lingerie for Valentine's Day is Sexy and Romantic

Looking for a romantic and even sexy gift this Valentine's Day? In a recent Valentine's survey by Hanes Her Way intimates, 69 percent of women said that receiving Catsuits Lingerie as a gift was "romantic" and "sexy." All told, 36 percent of women surveyed said they are hoping to receive Catsuits Lingerie for Valentine's Day. But don't look for any direct hints -- less than 30% of the women surveyed said they actually asked or hinted for Catsuits Lingerie. 
"Choosing Catsuits Lingerie for that someone special can be difficult, but there are a few guiding principles," said Marcia Clark of Hanes Her Way. "Matching sets are very popular, especially with color -- it's both fun and flirtatious. Underwire styles and push-up bras also are popular because they shape and enhance the bustline. Lastly, once you've narrowed your search, choose the Catsuits Lingerie you like best, she can't help but be impressed with the effort!"
Survey results suggest worrying too much about picking the perfect style is not necessary. Women who participated in the Hanes Her Way Valentine's survey said they preferred a range of styles, with 22 percent hoping for a classic, everyday bra; 19 percent, a super sexy bra; and another 15 percent, an elegant, beautiful bra for special occasions.
   Clark also recommends finding out her size in advance; guessing based on height and weight usually won't work. Fortunately, most men are doing their homework. Of those women surveyed, close to 65 percent said the Catsuits Lingerie they received as gifts actually fit. And the result of a single peek in her bureau drawer? A gift she loves. Close to 90 percent of the women surveyed said they wear the Catsuits Lingerie they received as gifts if not every day, at least for special occasions.
"Catsuits Lingerie is the perfect gift for Valentine's Day because it is so steeped in romance," said Clark. "It's about letting the woman you love feel beautiful both inside and out."
For more information about the newest Hanes Her Way bra and panty collections, access the Hanes Her Way website at www.hanesherwaybras.com. Hanes Her Way is a leading brand of Sara Lee Intimate Apparel, a division of Sara Lee Corporation and a major producer of women's intimate apparel under the Bali, Wonderbra, Hanes Her Way, Lovable and Just My Size brand names.