For evening4

For evening, he designs crystal beaded short dresses matched with oversized and luxurious, colourful chubby fur coats which were a 70s wardrobe staple.
Or, you can opt for sleek sheaths in black that are held up by black patent leather straps, modelled after the highly sought-after narrow Gucci belt latex catsuit.
While everyone is going ga-ga over Gucci clothes, it is known that supermodels who usually get them before they hit the boutiques also set high hopes of representing the brand's image.
Joining the elite Gucci girl group this season, which includes model-of- the-moment Carolyn Murphy, is Malaysian Tang Mang Ling. Tang, a slim beauty, can be seen in the latest fuzzy, film-like Gucci ads in major glossies.
Smooth and slinky silhouettes are the key look at catsuit while tailored lines are offered as well for those who want to look smart rather than sexy.
Since this label is famous for its fur coats, fluffy detailing is seen in abundance on borders, collars and cuffs that match the colours of the fabrics or in exciting different tones.
Shades are soft in nuances of camel, grey, red pvc corsets with a dash of metallic shines including that of burnt barley and brilliant bronze.
But the obvious focus at this Roman fashion house this time around is on its signature pattern - the double F.
Graphic twin F prints from the 70s have made a vengeful return on jersey dresses, knitted twin-sets, nylon jackets and even traditional blue jeans.
The dark-brown catsuit bodysuit geometrical pattern is woven on cut velvet for shirts, dresses, trousers, light and flowing skirts, and matched with georgette and viscose lined with velvet.
So, if you really want to get noticed this season, just think of the five-letter words that begin with either F or G.

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Madonna and Lady Gaga 'Fight' on SNL

    In a stunt that no doubt made your gay BFF jizz his pants with glee, Madonna and Lady Gaga surprised audiences by popping up together in a skit on last night's Saturday Night Live.
    The pair, clad in black leather catsuits, played duelling pop stars alongside Andy Samberg and Kenan Thompson on Deep Dish House.
    "Hey, guess what Madonna? I'm totally hotter than you," quipped Lady Gaga, who was the night's musical guest.
    "What kind of name is Lady Gaga? It's sounds like baby food," responded Madge.
    The skit -- which was kind of lame after the initial "Holy crap, it's Madonna! And she can still rock a latex corsets !" shock wore off -- ended with the foursome making out on the couch, but the show's real guest star surprise came in segment about porcelain fountains, in which Scarlett Johansson made a cameo as a salesperson. The actress appeared to support her hubby, host Ryan Reynolds, despite the genetically blessed couple's long-standing aversion to being seen together in public.  Even with her Real Housewives' getup and his porn 'stache, they were just as hot together as we imagined.
    Watch the clips below and stream the full episode on Globaltv.com.

Anatomy of an Latex Catsuit: 'Skin' Stretches the Limits

It was inevitable that intellectuals would seize on the Age of Botox to stage an art show. Whatever comes afterward, the weird extravaganza that opened Tuesday at the Smithsonian's Cooper-Hewitt National Design Museum will be hard to trump. An hour before the official preview, a scribbled note under an empty glass dome explained the whereabouts of Exhibit A: "Nose in refrigerator." It was alive. 
The exhibition is sedately called "Skin: Surface, Substance and Design." But it's destined to shock: Body parts have become designer objects, and this show exposes them. With or without injections of wrinkle-plumping botulinum toxin, flesh is de-forming and the design world with it. Beauty has become the beast. 
The gilded first-floor galleries of Andrew Carnegie's old mansion at 91st Street and Fifth Avenue are filled with evidence. while the Latex Catsuits edge of growth in the last show. A few pretty things are tucked among the wildly diverse bottles, chairs, sport watches, medical experiments, art photos and high-performance garments. More to the point is a Chanel mannequin whose bare breast has been imprinted with the company's signature quilt motif. First beauty, now brand loyalty can be skin deep.
The show's theoretical denominator is the exoskeleton. The definition is loose. Picture a formless mass with a vaguely pockmarked, possibly soft surface. with silvery PVC Clothing and a long paragraph Slim black suit jacket. You could be looking at  a close-up of the main character from the sci-fi movie "Hollow Man,"  the surface of a molded plastic designer chair,  a video of a breast-enhancement operation or  the architectural facade of an avant-garde glass office building in Los Angeles.
Putting such disparate elements under the same conceptual roof is a stretch, especially for the staid Cooper-Hewitt. The exhibition has legitimate design roots in the tumultuous, fluid, prosperous world of the 1990s. Computers and 3-D software have enabled architects and designers to play with the "skin" of everything in sight. Buildings have developed nontraditional curves and folds. Ladies gold - Card Dai Shan in the entertainment circles from latex dresses time to be petite skinny girls, And new industrial plastics have allowed interiors and furnishings to melt in waves of so-called "organic" style. It would have been easy to assemble exotic samples from leading practitioners to document the movement, as design shows mostly do. But the Cooper-Hewitt's curator of contemporary design, Ellen Lupton, took that approach well beyond the routine, through fashion and art and on to the science lab.
The fine line between natural and manufactured, organic and synthetic, beautiful and bizarre, has been smeared, like eyeliner. But I think even a elegant princess would want to get rid of PVC Clothing Fashionable people have erased the signs of age, peeled tired skin and sculpted body parts with the passion designers reserve for iconic chairs and landmark buildings. Scientists, meanwhile, have brought cloning out of the realm of science fiction and into the mainstream view. 
The Cooper-Hewitt show opens with a gallery devoted to "Beauty, Horror and Biotechnology." The refrigerated nose turned up -- an MIT creation from living bovine cartilage -- next to a sample of artificial skin in a petri dish. Two feet away, a video replays scenes from "Frankenstein," "Hollow Man," "Men in Black," "Aliens," "Videodrome" and "Brazil." Movieland's techno-creatures emerge again and again from gooey skins.  "I wanted to create a sense of how strange the world is," Lupton says. 
And how. In the center of the room, on a clinically white platform, the bottom half of a female torso is wearing Latex Catsuits hot pants. A sign says they are going into production as part of the safe-sex revolution. Conceptually, there's only a mini-leap to Dutch designer Jurgen Bey's Kokon Double Chair. The 1999 design, which was on view during Washington's Dutch design exhibition at Apartment Zero last month, consists of two wooden chairs shrink-wrapped in green plastic. In this context, the back-to-back chairs look as tortured as a bad face-lift. 
Twisted portraits beam from the walls, provoking questions about the nature of beauty. Barbie is the picture of plastic perfection. An arresting photo shows a beautiful woman holding her severed head in her hands. Except for a bloody neck, her skin is perfect. The image has been placed in the garden, blown up large enough to stop traffic on Fifth Avenue. Does Botox beauty survive in death?
Researchers may succeed in mass-producing human tissue, not to mention replicating species, so perhaps there's no need for concern. As Jennifer Tobias writes in the exhibition catalogue, "Imagine the human body of the future, its parts continually repaired and replaced by tissue engineers, its outer surface refinished by dermatologists and aesthetic surgeons."
"Skin" moves dutifully from human flesh to a layered cross-section of a modern sports shoe, which protects feet like an extra skin. Nature remains a role model, and this is fundamentally a design show. An entire gallery is devoted to protective layers of Latex Clothing, for fending off anthrax, sharks, extreme cold or simply runner's sweat. The idea of "smart" skin is accommodated through the layering of microchips in fabric and even plywood.
In architecture, software is allowing layering, too, though the strongest impact is aesthetic. A design for a Los Angeles Latex Clothing store by architect Greg Lynn of Form has a complex interior of folding forms that come together like dermis and epidermis. A wall-size chunk of deformed glass from another Lynn project is mounted at the Cooper-Hewitt. It bears a striking resemblance to the cartilage nose.
The work of industrial designers seems strangely prosaic by comparison. A rubber wash basin for the bath by Dutch designer Hella Jongerius has the requisite soft, touchable quality. A porcelain "egg" vase by Marcel Wanders began with a Latex Catsuits condom. A hollow plastic chair by Ross Lovegrove serves as an example of skin as skeleton. More interesting are designs that display body-responsiveness. A tabletop by New York designer Karim Rashid changes color from the heat of a human hand. Benches of foam used in the health care and aerospace industries remember your imprint.
There is also a horrifying collection of handbags and shoes made of something the artist hopes resembles a woman's flesh. A photo shows a sewing machine with a woman's body under the needle, instead of a length of fabric. An artist's video filmed in the operating room replays the reality of plastic surgery, stitch by stitch, while classical music plays a soothing tune.
The body is under renovation. In the hands of the plastic surgeon, it becomes one more designer object, a "blob" circa 2002. Despite the powerful images, Lupton seems loath to declare her view, beyond writing in the catalogue that "Like skin, design performs at the intersection of life and death, body and product." On a final walk-through before the doors opened, the curator considered what she had wrought.  "All my little alien children hatching," she said.

Kinkiest city in latex clothing, edinburgh's sex secret

RED-HOT lovers in Edinburgh are the kinkiest in Britain The city's sex-hungry residents buy twice as many fetish and bondage products as Londoners, according to a new survey.
Internet gift shop bluesnake delivers more sexy Latex Clothing, gadgets, books and movies to Edinburgh than any other town or city in the country. The capital's orders account for 38 per cent of the firm's sales over the last six months of 2000.
And it's not only the size of the orders that matter - they're also buying kinkier products.The most popular item with adventurous Edinburgh lovers is a pounds 25 Basic Bondage Kit, with leather blindfold, handcuffs and a twelve-inch whip. Next on the lusty list is black bondage tape, followed by Latex Catsuits-tipped nipple clamps. Blindfolds and handcuffs complete the top five.
A spokeswoman for the firm said Edinburgh folk are most likely to experiment with sex.She added: "They are leading the way when it comes to throwing away their inhibitions."
Newcastle was the second-kinkiest city, with 25 per cent of deliveries, but the products ordered tended to be more tame. In third place was London with 15 per cent of orders. The least adventurous customers live in the South West of England, where the top purchase is a six-inch teddy bear dressed in bondage gear.Philip Treacy, the 27-year-old British milliner whose hats Putting the high-end Latex Stockings on to home is attractive, are in demand at the world's most prestigious fashion houses, presented his London Fashion Week catwalk show last night and proved that he is a conjurer working magic with feathers.
The front row line-up included ex-Duran Duran partners Nick Rhodes and Simon Le Bon . Boy George, Brian Ferry, Rifat Ozbek, Jasper Conran, Alexander McQueen and Anthony Price also attended.Treacy's show was the highlight of the London shows. Indeed, it is doubtful whether such artistry and enjoyment will be matched by the forthcoming collections in the other fashion capitals of the world.
Another young pioneer, Hussein Chalayan, showed earlier in the evening with a fine collection of futuristic tailoring, second-skin latex dresses dresses, and collectable art deco print evening dresses. It is shows like these - perfectly executed and outstandingly creative - that keep London on the map.
Over at Hussein Chalayan, all seemed well, too - well enough for the designer to take the radical step of appearing on his own stage, alongside the dancer Michael Clark and various other esteemed artists, in a live rock band. Chalayan said that the collection was his anti-war protest - the invitation Vwas a picture of a grinning, blindfolded child pointing a gun. "Children see war as a game," the designer said. as women's supplement Rubber Clothing  "I don't want this generation to grow up thinking like that." A continuing preoccupation with anatomy was more evident where the clothes themselves were concerned. Jersey dresses in bright fondant hues were dissected to reveal various body parts, and, later, entrails spilled from their edges. "I wanted to question people's preconceptions. Some people find these things disgusting. I find them beautiful." They were, indeed, just that, and for his bravery in refusing to compromise a cerebral stance, Chalayan must be applauded.

An Latex Catsuits Adventure in Detail and Perspective

Next year the Calvin Klein company expects to generate $6 billion in retail sales, a small fraction of which -- about $40 million -- will come from sales of the runway collections designed by its star Francisco Costa. A money-loser, the collections' real value lie in marketing and the skillful use of advertising and celebrities like the hot-bodied Eva Mendes, who was at Mr. Costa's show on Thursday, and thus its prestige is wildly inflated.
More and more, expensive ready-to-wear functions like haute couture, as the bait that hooks consumers. Fashion houses get news media exposure for their shows -- that's one purpose of Fashion Week -- while the bulk of their Latex Clothing sales comes from preseason collections, which reflect the designer's aesthetic as well as enjoy a longer selling time in stores because they are delivered before runway pieces. Besides, runway looks are typically ordered in such small qualities that relatively few people will ever see or touch the actual garments, much less own them.The gap, then, is widening between what you see on the runway Zentai Suits and what, in effect, you get, although how much this bothers editors is hard to say. They have their own reasons for attending shows.But one dress from the fall 2008 collections -- Balenciaga's look No. 2, a sculptural black sheath -- illustrates the point. Editors raved about the dress's modern cut. It appeared in major fashion magazines, and stores like Barneys featured it in their ads.
Yet, according to Balenciaga's chief executive, Isabelle Guichot, just over 100 dresses were sold worldwide. The dress was pricey , and Balenciaga has an interest in limiting distribution, but the small number puts into perspective the reach of influential labels. High quality and favorable price pumps,  boots  and many different kind of high heel shoes, we specially set up retail Latex Catsuits store website That perspective helps to explain Mr. Costa's strange and exuberant collection. Many designers have attempted to imagine fashion as geometry or modernist architecture -- Issey Miyake and Yohji Yamamoto are just two who come to mind. In his most recent couture collection for Chanel, Karl Lagerfeld created gowns with shoulders that looked as if they had been clapped  with seat cushions.
But the admirable thing about the collection was the level of research into the materials -- including Latex Catsuits, wire mesh and new technical silks -- and the quality of Mr. Costa's presentation. Some of the silvery white shifts and sleek pants outfits are stunning. Zentai Suits But for the work to have real meaning beyond a runway experience, Mr. Costa has to develop some of these shapes and fabrics further and return to them. It's worth noting that some of the jersey dresses in the collection, also with cube effects, recalled designs he did two or three years ago. So perhaps this show was really part of a longer process.
By Thursday evening, Zac Posen had turned everything on its teased head. The show was trashy and fun, the models made up into unrecognizable imitations of Britney. Or something along those trashy violet-lip lines. Many of the itty-bitty silk dresses were adorable, as were filmy leopard-print chiffon dresses and cheeky hot pants worn with a matching soda-pink jacket. for people all Zentai Suits over the world seeking But it was it mainly light entertainment.Ralph Lauren's show on Friday was terrifically adventurous -- Indiana Jones in gold sequins. If Mr. Lauren didn't send out the best harem pants of Fashion Week, it's hard to think who did. His were done in burnished gold beads. More practical versions came in khaki linen.
There were some great safari pants and shirts, as well as a trim pantsuit in gold-glazed linen. Dresses were skimmy and sexy, most notably a halter style in bronze-beaded tulle. The model wore a turban and crystal teardrop earrings.After L'Wren Scott's show on Friday at the Gagosian Gallery, her friends Sarah Jessica Parker and Ellen Barkin compared notes on favorite looks. Both women agreed that a slithery black wool dress, its scoop neckline outlined in ivory silk and its wand sleeves cuffed in ivory, Zentai Suits was tops.''And then ...'' Ms. Parker ticked off another dress.''And then ...'' Ms. Barkin said, mentioning a frilly striped sleeveless blouse. This was Ms. Scott's strongest collection since she began her label. She offered a great sense of her familiar drama, with an all-over white feather cape lined in lace, but the striking thing about her dresses was the intimacy and the refinement of the details.
Every detail, from the quality of the ivory French linen for a sheath dress to the lingerie bodice of a white slip dress, seemed considered. If there was one misstep, it was a figure-hugging black dress with a hem of flapping streamers. Ms. Scott said the collection was inspired by wind. It seemed light in spirit as well as in the hand. That's a measure of her progress.

British demonstrate protective gear for latex clothing warfare use

British makers of protective gear for nuclear, chemical and biological warfare have mounted an effort to sell their latest Latex Clothing for aircrews and ground personnel to the U.S. Defense Dept. and outlet licenses for the Latex Clothing to U.S. industry.
"We think the U.K. has in service equipment better than that of the U.S.," Brian M. Webster, British Embassy defense sales counselor for the British Ministry of Defense, said.  The U.S. is improving its chemical warfare defense, but officials said much remains to be done before U.S. Air Forces in Europe can match Warsaw Pact capability .The British Embassy sponsored an exhibit of the equipment recently to boost the sales campaign.
Remploy, Ltd., of London, manufactures a perspiration-permeable coverall with hood and socks it said is cool enough for sustained vigorous activity when worn under a Nomex flight suit and standard helmet.Gen. John W. Pauly, USAFE commander, said the U.S. carbon-foam suit causes a loss of groundcrew capability by restricting movement and generating heat .  USAF flightcrews use the British coveralls.
The British coverall's material, produced by Bondina, Ltd., of Halifax, is a Latex Catsuits-bonded nylon sprayed with an inner layer of activated charcoal.  The nylon is treated with liquid fluorocarbon to repel toxic agents such as hydrogen cyanide, nerve gas, anthrax bacteria and mustard gas.  The charcoal absorbs any poison that penetrates the treated fabric and has a shelf life of five years.
An official of the Chemical Defense Laboratory of the British Ministry of Defense said the material is effective for 24 hr. in a dense toxic environment.  The Royal Air Force issues six sets of the disposable Latex Clothing to flight crewmembers, and the British army uses the Bondina fabric weighing 200 grams/meter<2> for its M.3 chemical-warfare uniform.  The laboratory official said the flame-retardant fabric also provides protection against nuclear fallout and some of the heat from a nuclear explosion.
The Royal Air Force is equipping aircrews with the AR 5 respirator produced by BOC Aviation of Harlow.  The Neoprene assembly of hood, goggles and respirator requires positive ventilation and to prevent myosis provides a ventilation line and chamber for the eyes separate from that for breathing.  The assembly is tested for reliability under acceleration of 5.5g and has low-pressure fittings for primary and emergency oxygen suitable for operation below 43,000 ft. Richmond Electronics, Ltd., of Hertfordshire and ML Aviation Co., Ltd., of Maidenhead manufacture positive ventilation systems for the respirator using charcoal and particulate filters.Industry and Defense Dept. representatives viewed exhibits of protective gear by 20 companies, including:
Airscrew Howden, Ltd., of Surrey -- Fans for combat environmental control systems.Bonaventure International of London -- Disposable Latex Clothing for chemical and nuclear decontamination operations.Civil Defense Supply of Lincoln -- Oversuit, undersuit, respirator, gloves and boots for civilian protection.J. Compton Sons & Webb, ltd., of Newport -- Protective Latex Clothing that combines the Bondina fabric with an outer fabric of acrylic, modified for fire retardance and durability.  Even though the outer fabric has a light silicone treatment to repel liquids and vapors, the fibers can spread toxic agents to avoid overloading absorption properties of the charcoal inner layer.Fisher Controls, Ltd., of London -- Portable monitor for gamma and neutron battlefield radiation from 20 to 1,000 rads.Heywood Williams, Ltd., of Brighouse -- Flexible-walled field shelters.
Leyland & Birmingham Rubber Co., Ltd., of Preston -- S-6 respirator molded of natural rubber.Microflow Pathfinder, Ltd. -- Air filtration and contamination control systems.Portals Water Treatment, Ltd., of Middlesex -- Transportable and trailer-mounted water purification systems.Siebe Gorman & Co., Ltd., of Gwent -- Respirators for industrial and military applications.Temperature, Ltd., of London -- Vehicle sealing and environmental control systems.Thorn Automation Ltd., of Nottingham -- Using a sample of nerve enzyme, cholinesterase, a portable unit detects nerve gas or biological agents in the battlefield environment.